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Score Reading: A Key to the Music Experience By Michael Dickreiter
Free Download Score Reading: A Key to the Music Experience By Michael Dickreiter
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- Sales Rank: #916887 in eBooks
- Published on: 2003-03-01
- Released on: 2003-03-01
- Format: Kindle eBook
Review
The technical is overlaid with informative and easy-to-read history lessons on scores, orchestras, and conductors. -- Library Journal , October 15, 2000
About the Author
Michael Dickreiter Michael Dickreiter has earned a Tonmeister (sound engineer) diploma from Detmold Music Academy and a Ph.D. from Heidelberg University. He is an instructor at the School for Radio Technique in Nuremberg and the author of several books on sound recording techniques, acoustics, and musical instruments.
Excerpt. © Reprinted by permission. All rights reserved.
It would be difficult to compose polyphonic music (music having two or more parts) without writing it down in a way that shows the relation of the parts to each other. Few musicians are able to put together (com-pose) a polyphonic piece entirely in their heads, without putting the parts on paper to show how they fit together—in other words, without a score. A few famous musicians such as J. S. Bach are said to have had that ability; they are the exceptions to the rule.
Historically, even the very first attempts at writing down polyphony represent a kind of score. These documents, dating from the ninth century, are notated in such a way that simultaneous sounds are vertically aligned. Some later medieval manuscripts also have such scorelike arrangements of the voices. In some cases the interpretation is unequivocal; other documents present problems in understanding how to sing the music.
Polyphonic music became ever more widespread during the fifteenth and sixteenth centuries, in fact, the sixteenth century has been called "The Golden Age of Polyphony." Polyphony by that time had become extremely complex and was governed by strict rules of voice leading; composing such music without writing it down in score form is unthinkable. We would therefore assume that many scores would have been preserved in old libraries, but hardly any scores have come down to us. Instead, the music is saved in choir books and part books.
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